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Hey girl how you doin In the great city where he lived, life was always gay. Everyday many strangers came to town, and among them one day came twoswindlers. They let it be known they were weavers, and they saidthey could weave the most magnificent fabrics imaginable. Notonly were their colors and patterns uncommonly fine, but clothesmade of this cloth had a wonderful way of becoming invisible toanyone who was unfit for his office, or who was unusuallystupid. Film orgasm

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Nifty erotica stories Keeping only the clothes that give me a spark of joy has allowed me to relinquish items that I've been keeping out of one kind of guilt or another —that I bought something and never really wore it, because someone else gave it to me, or because it's wasteful to get rid of something that's perfectly 'good.' Filipina celebrity sex videos Family incest fucking

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 I love the soft feel of clothes that come out of the dryer. I also love the fresh smell of line dried clothes. What I do is hang the clothes to dry, then pop them in the dryer for about 10 minutes with a damp wash cloth/towel to soften them. This saves electricity also since I have an electric dryer. Toddler vintage Hot ass amateur

Ageing, he thought, comes about because this developmental programme, this constant change, never turns off. From birth until puberty, change is crucial: we need it to grow and mature. After we ve matured, however, our adult bodies don t need change, but rather maintenance. If you ve built the perfect house, you would want to stop adding bricks at a certain point, Walker says. When you ve built a perfect body, you d want to stop screwing around with it. But that s not how evolution works. Because natural selection cannot influence traits that show up after we have passed on our genes, we never evolved a stop switch for development, Walker says. So we keep adding bricks to the house. At first this doesn t cause much damage a sagging roof here, a broken window there. But eventually the foundation can t sustain the additions, and the house topples. This, Walker says, is ageing. Blindfolded lesbian hqporner

Bad ass trucks for sale This is very true. However being a person from the mountains in the west and now living in the city on the east. I don t feel as foolish wearing my ski jacket and hat when people are using umbrellas to cover themselves from the snow that never even sticks to the ground. You can spot the posers, but then again maybe I look foolish to them. But I still don t have to carry an umbrealla around wherever I go. FACE! Fetish wrestling

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 To each his (or her) own. Everyone has his or her own preferences. Personally, I use a clothesline much of the time in summer, but often toss those clothes into the dryer just to fluff them. Oh, that tends to get the beetles out, too. No fun finding a beetle in your undies. Nintendo dsi girl 2003 harley fat boy

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Film sex scenes You'll never have to hem and haw about whether something will be useful later, whether you should keep it because it's a 'good shirt' or was expensive or any of that! Note that 'sparking joy' applies perfectly well to items that aren't exactly thrilling but that serve us well. For instance, the cotton camisole that doesn't rise up and is just the right length — that sure sparks joy for me! Socks without holes spark a lot more joy than socks with holes. You get the picture. Teen girls in diapers stories

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What about non-white people who wear technical clothing eh? I m 1/2 yellow and 1/2 white and I wear a ridiculous amount of technical clothing. Although I always want to go camping, I m not so stupid as to think my buddy s going to call an impromptu session of hiking and paddling. I for one wear technical clothing because I m a paranoid bastard. When those zombies come, you want to be hunkered down in a makeshift shanty dressed in cotton, that retains water and chills you when the temperature drops? I think I ll stick with my technical clothing. I may look like a douche, but damn yo, how many hipsters look like douches and are just gonna be eaten by zombies because they can t run in their drainpipe jeans? Sheeit yo, it ain t just white people wearing clothing that works, that in itself is degrading to people of other shades. What, because I m 1/2 Chinese I can t be (paranoia-fuelled) practical? C mon!! Filled my ass How to have anal sex without it hurting

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A striking picture of von Gloeden’s Il Grande Fauno (the Great Faun), circa 1895. Where other photographs of this model posing in character appear innocent, detached stern expressions interspersed with the occasional friendly smile, in this there’s a...

A striking picture of von Gloeden’s Il Grande Fauno (the Great Faun), circa 1895. Where other photographs of this model posing in character appear innocent, detached stern expressions interspersed with the occasional friendly smile, in this there’s a distinct leaning toward celebrating the sensuality and eroticism of both his character, and his proudly displayed body, bare under hot bright sun.

If other photographers wished to give their work an air of respectability with classical allusions and reference to an Arcadian idyl, Vincenzo Galdi was publishing photographs with no such delicate gloss of innocence. Often explicit, always...

If other photographers wished to give their work an air of respectability with classical allusions and reference to an Arcadian idyl, Vincenzo Galdi was publishing photographs with no such delicate gloss of innocence. Often explicit, always emphasising the sensual, the erotic, the full-frontal nude presented without discretion or modesty. We see variations on this pose - seated, knees parted - over and over and over again.

A young man from Rome, captured in all his sensual glory by Vincenzo Galdi, in the early years of the 20th century. A beautiful portrait of a beautiful man!

A young man from Rome, captured in all his sensual glory by Vincenzo Galdi, in the early years of the 20th century. A beautiful portrait of a beautiful man!

A quite remarkably handsome man, his stern and beautiful face matched by a lithe, toned body, a deeply masculine grace and presence; photographed in the early 1900s by Guglielmo Plüschow.

A quite remarkably handsome man, his stern and beautiful face matched by a lithe, toned body, a deeply masculine grace and presence; photographed in the early 1900s by Guglielmo Plüschow.

When last month I posted a portrait of Pietro, I realised I’d never yet shared this far more famous photograph of the very same model. Taken in the garden of von Gloeden’s villa at Posillipo, circa 1890, we see here the very same smouldering smile,...

When last month I posted a portrait of Pietro, I realised I’d never yet shared this far more famous photograph of the very same model. Taken in the garden of von Gloeden’s villa at Posillipo, circa 1890, we see here the very same smouldering smile, the confident sensuality in baring his beautiful body, the drape of pale fabric let hang tantalisingly low - a fantastically erotic image without being at all explicit.

Photographed by Plüschow toward the end of the 19th century, both these models look familiar from other pictures; when I have a little more time I shall try to find their other poses!

Photographed by Plüschow toward the end of the 19th century, both these models look familiar from other pictures; when I have a little more time I shall try to find their other poses!

A true and deserved star of early erotic photography, this beautiful model is one of my favourites (indeed, I chose him as the avatar to represent this whole collection). We have seen this sensual photograph by Vincenzo Galdi before, but not so large...

A true and deserved star of early erotic photography, this beautiful model is one of my favourites (indeed, I chose him as the avatar to represent this whole collection). We have seen this sensual photograph by Vincenzo Galdi before, but not so large nor so detailed; do take a closer look at the full size image to fully appreciate such an exquisite man!

This stern-faced Italian model makes a strikingly beautiful and seductive subject for Vincenzo Galdi’s erotic male photography, in the early years of the 20th century. We have seen him pose before, for his sultry and somewhat sullen good looks I have...

This stern-faced Italian model makes a strikingly beautiful and seductive subject for Vincenzo Galdi’s erotic male photography, in the early years of the 20th century. We have seen him pose before, for his sultry and somewhat sullen good looks I have dubbed him the brooding beauty.

A genuine delight, here, another photograph of the charming Carlo, lover of the painter Robert Hawthorn Kitson, and captured on camera by Vincenzo Galdi in the early years of the 20th century. I had gathered all his portraits so far into a set, now I...

A genuine delight, here, another photograph of the charming Carlo, lover of the painter Robert Hawthorn Kitson, and captured on camera by Vincenzo Galdi in the early years of the 20th century. I had gathered all his portraits so far into a set, now I shall have to make room for one more!

A fine trio of male models, photographed in 1910s Rome by Vincenzo Galdi. Tantalisingly trimmed just below their waists - oh how I wish for an uncropped copy of this photograph!

A fine trio of male models, photographed in 1910s Rome by Vincenzo Galdi. Tantalisingly trimmed just below their waists - oh how I wish for an uncropped copy of this photograph!

A fine young man displays his body for the camera with pride in this early 20th century nude. Though I don’t recognise the model from other images, the fabrics here indicate this to be by Vincenzo Galdi, the same pieces can be seen in many of his...

A fine young man displays his body for the camera with pride in this early 20th century nude. Though I don’t recognise the model from other images, the fabrics here indicate this to be by Vincenzo Galdi, the same pieces can be seen in many of his photographs (such as that dear favourite, the full-length portrait of Carlo)

His shoulders enfolded in a thick cloak, this Galdi model shows not the slightest bit of shyness in flaunting his lower half, legs parted to expose all to the sun, and the viewer’s admiring eye. Vincenzo Galdi has seated his anonymous models on these...

His shoulders enfolded in a thick cloak, this Galdi model shows not the slightest bit of shyness in flaunting his lower half, legs parted to expose all to the sun, and the viewer’s admiring eye. Vincenzo Galdi has seated his anonymous models on these dark volcanic rocks before, here and here.

A typically raunchy and quite deliciously lascivious photograph from Vincenzo Galdi in turn-of-the-century Rome, his model blessed with both exceedingly admirable endowment, and a sultry face to match; all deep dark come-to-bed eyes and pouting...

A typically raunchy and quite deliciously lascivious photograph from Vincenzo Galdi in turn-of-the-century Rome, his model blessed with both exceedingly admirable endowment, and a sultry face to match; all deep dark come-to-bed eyes and pouting parted lips. He has appeared before, on the right in this equally erotic photograph

A stunning find, here, a gloriously sensual nude by Wilhelm von Gloeden - the unseen side of the model in this far better-known photograph. How wonderful it is to see more of him; his face as he gazes coolly down the camera lens, his confidently...

A stunning find, here, a gloriously sensual nude by Wilhelm von Gloeden - the unseen side of the model in this far better-known photograph. How wonderful it is to see more of him; his face as he gazes coolly down the camera lens, his confidently bared body, even how the narrow necklace seen in the first picture carries a collection of pendants. Though his hair seems very different, several models from 1890s Taormina appear to favour a fashion for hair close-cropped at the back and in luxuriant curls at the front.

Vincenzo Galdi once again presents the erotic male nude in all its sensuous, earthy glory, choosing expressive, attractive, and invariably well-endowed models, who revel in assuming the provocative poses - confident seductive men fully aware of their...

Vincenzo Galdi once again presents the erotic male nude in all its sensuous, earthy glory, choosing expressive, attractive, and invariably well-endowed models, who revel in assuming the provocative poses - confident seductive men fully aware of their power to entice and arouse those who look upon them. How proud would they be to know we still pass their pictures around for admiration over a century later! We have seen this particular model pose before, here, and also here.